Greener On The Other Side
A surreal terrain oscillating between pastoral idyll and synthetic mirage. Greener on the other side explores longing, illusion, and the artificial horizons we construct.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
A field of dreams, stitched in pixels and promise.
In greener on the other side, hyperreal textures, from moss-covered ground to endless white pillows and metallic gold containers, are assembled into a fractured, dreamlike landscape. A ribbon of frozen glass snakes through the soil, while the background dissolves into a digitally stretched image of cultivated land, as if memory and simulation have fused.
The scene evokes an aspirational elsewhere, a promise of comfort, wealth, or nature, but each element resists coherence. The softness of the pillows offers no rest; the terrain is too perfect to be real. Like the idiom it references, the work stages the seductive power of "otherness," revealing it as both desire and distortion.
By layering simulation and signifier, greener on the other side invites viewers to question the boundaries between terrain and territory, between the natural and the constructed.
Greener On The Other Side
A surreal terrain oscillating between pastoral idyll and synthetic mirage. Greener on the other side explores longing, illusion, and the artificial horizons we construct.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
A field of dreams, stitched in pixels and promise.
In greener on the other side, hyperreal textures, from moss-covered ground to endless white pillows and metallic gold containers, are assembled into a fractured, dreamlike landscape. A ribbon of frozen glass snakes through the soil, while the background dissolves into a digitally stretched image of cultivated land, as if memory and simulation have fused.
The scene evokes an aspirational elsewhere, a promise of comfort, wealth, or nature, but each element resists coherence. The softness of the pillows offers no rest; the terrain is too perfect to be real. Like the idiom it references, the work stages the seductive power of "otherness," revealing it as both desire and distortion.
By layering simulation and signifier, greener on the other side invites viewers to question the boundaries between terrain and territory, between the natural and the constructed.
Greener On The Other Side
A surreal terrain oscillating between pastoral idyll and synthetic mirage. Greener on the other side explores longing, illusion, and the artificial horizons we construct.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
A field of dreams, stitched in pixels and promise.
In greener on the other side, hyperreal textures, from moss-covered ground to endless white pillows and metallic gold containers, are assembled into a fractured, dreamlike landscape. A ribbon of frozen glass snakes through the soil, while the background dissolves into a digitally stretched image of cultivated land, as if memory and simulation have fused.
The scene evokes an aspirational elsewhere, a promise of comfort, wealth, or nature, but each element resists coherence. The softness of the pillows offers no rest; the terrain is too perfect to be real. Like the idiom it references, the work stages the seductive power of "otherness," revealing it as both desire and distortion.
By layering simulation and signifier, greener on the other side invites viewers to question the boundaries between terrain and territory, between the natural and the constructed.
Greener On The Other Side
A surreal terrain oscillating between pastoral idyll and synthetic mirage. Greener on the other side explores longing, illusion, and the artificial horizons we construct.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
A field of dreams, stitched in pixels and promise.
In greener on the other side, hyperreal textures, from moss-covered ground to endless white pillows and metallic gold containers, are assembled into a fractured, dreamlike landscape. A ribbon of frozen glass snakes through the soil, while the background dissolves into a digitally stretched image of cultivated land, as if memory and simulation have fused.
The scene evokes an aspirational elsewhere, a promise of comfort, wealth, or nature, but each element resists coherence. The softness of the pillows offers no rest; the terrain is too perfect to be real. Like the idiom it references, the work stages the seductive power of "otherness," revealing it as both desire and distortion.
By layering simulation and signifier, greener on the other side invites viewers to question the boundaries between terrain and territory, between the natural and the constructed.