Boxing Day
A surreal 3D still life of packaging materials, metal textures, and artificial blooms. Boxing day stages the aftermath of circulation: a scene where containment meets collapse.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
Everything must go, except what's left behind.
The work arranges a set of industrial and domestic remnants, clamps, foil, disposable cloths, and modular trays, into a tightly framed mise-en-scène that suggests both preparation and abandonment.
Glossy textures and sterile surfaces evoke a surgical sterility, interrupted by soft violet flowers and crumpled metal foil. These fragments hint at care, storage, or aftermath, an environment caught between display and disposal.
As the title implies, the work plays with associations of wrapping, protecting, and letting go. But instead of post-holiday bargains, it offers something slower: a fragile tension between utility and ornament, control and excess.
Boxing Day
A surreal 3D still life of packaging materials, metal textures, and artificial blooms. Boxing day stages the aftermath of circulation: a scene where containment meets collapse.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
Everything must go, except what's left behind.
The work arranges a set of industrial and domestic remnants, clamps, foil, disposable cloths, and modular trays, into a tightly framed mise-en-scène that suggests both preparation and abandonment.
Glossy textures and sterile surfaces evoke a surgical sterility, interrupted by soft violet flowers and crumpled metal foil. These fragments hint at care, storage, or aftermath, an environment caught between display and disposal.
As the title implies, the work plays with associations of wrapping, protecting, and letting go. But instead of post-holiday bargains, it offers something slower: a fragile tension between utility and ornament, control and excess.
Boxing Day
A surreal 3D still life of packaging materials, metal textures, and artificial blooms. Boxing day stages the aftermath of circulation: a scene where containment meets collapse.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
Everything must go, except what's left behind.
The work arranges a set of industrial and domestic remnants, clamps, foil, disposable cloths, and modular trays, into a tightly framed mise-en-scène that suggests both preparation and abandonment.
Glossy textures and sterile surfaces evoke a surgical sterility, interrupted by soft violet flowers and crumpled metal foil. These fragments hint at care, storage, or aftermath, an environment caught between display and disposal.
As the title implies, the work plays with associations of wrapping, protecting, and letting go. But instead of post-holiday bargains, it offers something slower: a fragile tension between utility and ornament, control and excess.
Boxing Day
A surreal 3D still life of packaging materials, metal textures, and artificial blooms. Boxing day stages the aftermath of circulation: a scene where containment meets collapse.
Creative Direction:
gezeisel.studio
Role:
3D Artist
Year:
2020
Everything must go, except what's left behind.
The work arranges a set of industrial and domestic remnants, clamps, foil, disposable cloths, and modular trays, into a tightly framed mise-en-scène that suggests both preparation and abandonment.
Glossy textures and sterile surfaces evoke a surgical sterility, interrupted by soft violet flowers and crumpled metal foil. These fragments hint at care, storage, or aftermath, an environment caught between display and disposal.
As the title implies, the work plays with associations of wrapping, protecting, and letting go. But instead of post-holiday bargains, it offers something slower: a fragile tension between utility and ornament, control and excess.